sarah vowell

I'm reading Assassination Vacation by Sarah Vowell (well, I get around to it when I'm finally bored of reading Us Weekly and my Ava Gardner biography) - and I thought this bit was worth putting here because it struck a chord in me -

On the bus home, I flip through my Assassins program from the night before and read the director's note. Of course talking about the murders of previous presidents is going to open the door to discussing the current president. That's what I like to call him, "the current president." I find it difficult to say or type his name, George W. Bush. I like to call him "the current president" because it's a hopeful phrase, implying that his administration is only temporary. Timothy Douglas, the Assassins director, doesn't say the president's name either, but he doesn't have to. Clearly, Douglas is horrified and exasperated by the Iraqi war. He writes,

Proportionate to my own mounting frustrations at feeling increasingly excluded from the best interests of the current administration's control in these extraordinary times helps me toward a visceral understanding of the motivation of one who would perpetrate a violent act upon the leader of the free world. My capacity for this depth of empathy also gives me pause, for I have no idea how far away I am from the "invisible line" that separates me from a similar or identical purpose....Please allow me to state for the record that I am completely against violence of any kind as a way of resolving conflicts.

That crafty explanation slaps me in the forehead with all the force of "duh." Until that moment, I hadn't realized that I embarked on the project of touring historic sites and monuments having to do with the assassinations of Lincoln, Garfield, and McKinley right around the time my country iffily went to war, which is to say right around the time my resentment of the current president cranked up into contempt. Not that I want the current president killed. Like that director, I will, for the record (and for the FBI agent assigned to read this and make sure I mean no harm -- hello there), clearly state that while I am obsessed with death, I am against it. Like director Tim Douglas, my simmering rage against the current president scares me. I am a more or less peaceful happy person whose lone act of violence as an adult was shoving a guy who spilled beer on me at a Sleater-Kinney concert. So if I can summon this much bitterness toward a presidential human being, I can sort of, kind of see how this amount of bile or more, teaming up with disappointment, unemployment, delusions of grandeur and mental illness, could prompt a crazier narcissistic creep to buy one of this country's widely available handguns. Not that I, I repeat, condone that. Like Lincoln, I would like to believe the ballot is stronger than the bullet. Then again, he said that before he got shot.

"I'm worried about the president's safety," I said at a Fourth of July party in 2004 when this guy Sam and I were talking about the upcoming Republican National Convention here in New York. "I think you've seen "The Manchurian Candidate" too many times," said Sam. Guilty. Still, I dread bodily harm coming to the current president because of my aforementioned aversion to murder, but also because I don't think I can stomach watching that man get turned into a martyr if he were killed. That's what happens. It's one of the few perks of assassination. In death, you get upgraded into a saint no matter how much people hated you in life. As the rueful Henry Adams, a civil service reform advocate who marveled at his fellow reformers' immediate deification of President Garfield after that assassination, wrote, "The cynical impudence with which the reformers have tried to manufacture an ideal statesman out of the late shady politician beats anything in novel-writing."